Yet More Scales from Hungarian Altered Pentatonic

In this final instalment, I'll list out some applications of the Hungarian Altered Pentatonic -- see Part I and Part II for similar stuff, and this post for an explanation of what's going on, or just dive in.

Even More Scales from Hungarian Major Pentatonic

This post is a continuation of this one and this one. It's probably worth starting with those first. This time we find all the ways to expand Hungarian Major Pentatonic (1 3 #4 5 7) to a seven-note scale.

Even More Scales from the Hungarian Minor Pentatonic

After experimenting with my new friends the Hungarian Pentatonics yesterday, I decided to look a bit more carefully at what they can do for us. Today I started with what I'm calling the Hungarian Minor Pentatonic: 1 b3 #4 5 b7.

Pentatonic Ruminations on (Supposedly) Hungarian Scales

Following up on the previous post, I spent a bit of time today with Harmonic Minor #4, aka Hungarian Minor, aka Simhendramadhyamam. Here's some stuff I found.

Exploring m7b5 on Minor 7s

It's no secret that I like m7b5 arpeggios. The other day I was trying to figure out all the options I use on a m7 chord, and came across what's almost a pattern but isn't. Nothing life-changing but some directions for further investigation.

Feed Your Ears: Wayne Krantz (and thoughts on trios)

#11-transcriptions over on YouTube just dropped a lovely transcription of Wayne Krantz's solo on "Whippersnapper" from 2 Drink Minimum. It reminded me that Krantz is, for my money, one of the very few truly original voices on guitar to emerge since the '70s.

From a "Hidden" Augmented Triad to an Exotic Scale

I stumbled across this while playing around with augmented triads on minor chords and thought it was at least a little bit interesting, if only because it led me to a scale I haven't come across in a musical context before.

"Days of Wine and Roses" Variation

Yesterday I had a Cm7 vamp in my looper (I was practicing these) and happened to glance over at the music stand, where my repertoire book was open at "The Days of Wine and Roses" (I like opening the book at random and playing through something to get warmed up). As a consequence, this happened.

Learning the Maj 7 b5 and Maj 7 #5 Arpeggios

These are two chord/arpeggio structures that come up pretty often once you stray far from the major scale. They also sound great, so they're well worth committing to memory.

Superaugmented Scale Ideas

The Superaugmented Scale is a major scale with every note raised by a semitone except the 1 and 7: 1 #2 #3 #4 #5 #6 7. It came up a couple of times in the lines in my recent Scriabin-inspired post so I thought it might be worth digging deeper into.