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More Tales of MiP, MaP, AmP and AlPI realise this thread of posts is probably getting a bit old but I've done a bit more tidying up of my (initially flippant) project around "Hungarian pentatonics" and have some moderately nice initial results. Even More Scales from the Hungarian Minor PentatonicAfter experimenting with my new friends the Hungarian Pentatonics yesterday, I decided to look a bit more carefully at what they can do for us. Today I started with what I'm calling the Hungarian Minor Pentatonic: 1 b3 #4 5 b7. Pentatonic Ruminations on (Supposedly) Hungarian ScalesFollowing up on the previous post, I spent a bit of time today with Harmonic Minor #4, aka Hungarian Minor, aka Simhendramadhyamam. Here's some stuff I found. Exploring m7b5 on Minor 7sIt's no secret that I like m7b5 arpeggios. The other day I was trying to figure out all the options I use on a m7 chord, and came across what's almost a pattern but isn't. Nothing life-changing but some directions for further investigation. Feed Your Ears: Wayne Krantz (and thoughts on trios)#11-transcriptions over on YouTube just dropped a lovely transcription of Wayne Krantz's solo on "Whippersnapper" from 2 Drink Minimum. It reminded me that Krantz is, for my money, one of the very few truly original voices on guitar to emerge since the '70s. From a "Hidden" Augmented Triad to an Exotic ScaleI stumbled across this while playing around with augmented triads on minor chords and thought it was at least a little bit interesting, if only because it led me to a scale I haven't come across in a musical context before. From a "Hidden" Augmented Triad to an Exotic ScaleI stumbled across this while playing around with augmented triads on minor chords and thought it was at least a little bit interesting, if only because it led me to a scale I haven't come across in a musical context before. |